More Readings!


Thinking through the Body: Women Artists and the Catholic Imagination

Eleanor Heartney

Hypatia, Vol. 18, No. 4, Women, Art, and Aesthetics (Autumn – Winter, 2003), pp. 3-22

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Patron or Matron? A Capetian Bride and a Vade Mecum for Her Marriage Bed

Madeline H. Caviness

Speculum, Vol. 68, No. 2 (Apr., 1993), pp. 333-362

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Medieval and Renaissance Matrons, Italian-Style

Catherine King

Zeitschrift für Kunstgeschichte, 55 Bd., H. 3 (1992), pp. 372-393

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Profane Illuminations, Secular Illusions: Manuscripts in Late Medieval Courtly Society

Brigitte Buettner

The Art Bulletin, Vol. 74, No. 1 (Mar., 1992), pp. 75-90

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Surrogate Selves: The “Rolin Madonna” and the Late-Medieval Devotional Portrait

Laura D. Gelfand, Walter S. Gibson

Simiolus: Netherlands Quarterly for the History of Art, Vol. 29, No. 3/4 (2002), pp. 119-138

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Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture

Patricia Simons

History Workshop, No. 25 (Spring, 1988), pp. 4-30

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Aesthetics in Feminist Perspective by Hilde Hein, Carolyn Korsmeyer; New Feminist Art Criticism: Critical Strategies by Katy Deepwell; New Feminist Criticism: Art, Identity, Action by Joanna Frueh, Cassandra L. Langer, Arlene Raven; Erotic Faculties by Joanna Frueh; Feminism & Contemporary Art: The Revolutionary Power of Women’s Laughter by Jo Anna Isaak

Review by: Marilynn Lincoln Board

Woman’s Art Journal, Vol. 20, No. 1 (Spring – Summer, 1999), pp. 32-43

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To Make Women Weep: Ugly Art as “Feminine” and the Origins of Modern Aesthetics

Jeffrey F. Hamburger

RES: Anthropology and Aesthetics, No. 31, The Abject (Spring, 1997), pp. 9-33

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Portraits, Plots, and Politics: “Damnatio memoriae” and the Images of Imperial Women

Eric R. Varner

Memoirs of the American Academy in Rome, Vol. 46, (2001), pp. 41-93

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The Imagery of the Magdalen in Christina of Markyate’s Psalter (St. Albans Psalter)

Magdalena Elizabeth Carrasco

Gesta, Vol. 38, No. 1 (1999), pp. 67-80

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Botticelli’s “Primavera”: A Lesson for the Bride

Lilian Zirpolo

Woman’s Art Journal, Vol. 12, No. 2 (Autumn, 1991 – Winter, 1992), pp. 24-28

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“A Hue and a Cry”: Medieval Rape Imagery and Its Transformation

Diane Wolfthal

The Art Bulletin, Vol. 75, No. 1 (Mar., 1993), pp. 39-64

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Where Ethics and Aesthetics Meet: Titian’s Rape of Europa

A. W. Eaton

Hypatia, Vol. 18, No. 4, Women, Art, and Aesthetics (Autumn – Winter, 2003), pp. 159-188

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